Panini populated the interior with a lively mix of tourists, churchgoers, artists, and citizens from all social strata to express the daily bustle of this popular public space.Īdditional paintings by Panini and his contemporaries can be seen in Eyewitness Views: Making History in Eighteenth-Century Europe, on view in the CMA’s Kelvin and Eleanor Smith Foundation Exhibition Hall through May 20.Įyewitness Views showcases view paintings - monumental works that vividly re-create what it was like to be present at some of the most newsworthy events and impressive spectacles of eighteenth-century Europe - the style of painting for which Panini was known. At the far side, the portal opens to the colossal columns of the porch and a glimpse of the piazza beyond. Panini manipulated the perspective here to include more of the interior than is actually possible to see from any single angle. In 609 the Pantheon became a Christian church, which helped ensure its continued preservation. A marvel of engineering, nearly 2,000 years later the Pantheon is still the world’s largest unreinforced concrete dome. It is a circular structure, capped by a huge hemispherical dome with a central opening that allows light into the interior. ![]() One of the great monuments of antiquity, Rome’s Pantheon was created as a temple around the year AD 125. Giovanni Paolo Panini (Italian, 1691–1765).
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